I've put up the recordings for String Serenade, and the Bach double concerto. The first movement [the one we're playing] is 04, but I've put up the second and third movements as well [05 and 06] for anybody who's interested in them.
Please go download and listen to them! The standard of the string serenade is what everybody should be aiming for, [Like for eg, the cello solo -ahem- :D ] apart from the place where violin2s take over the semiquavers from violin1s. Go listen. You'll get what I mean.
And the Bach. There is energy; it is vivacious, yes? And yes the soloist is damn imba cos she's HILARY HAHN. If you don't know who Hilary Hahn is you deserve a knock on the head.
Gogogo! We have about 5 more weeks only! Jiayou! SNSO is capable of a much higher standard than what it is now, if only everybody plays their part (:
Oh and you might want to go listen to The Arrival of the Queen of Sheba too. It's something that I think should be tried one day, post-Jubilate :D [there's a score for just string orchestra - without harpsichord and oboes]
http://mediafire.com/
Please ask me for the email and password. Thanks(:
-- Mary-Anne
Tuesday, April 22, 2008
Sunday, April 20, 2008
Exactly a year ago, SNSO achieved GWH at the SYF'07. Tears were shed; but they were tears of joy and elation.
Let's all make our upcoming concerts a similar experience, okay? We can pull through this together.
<3 from You-Know-Who
Let's all make our upcoming concerts a similar experience, okay? We can pull through this together.
<3 from You-Know-Who
Friday, April 11, 2008
Hey Juniors... Jana here.
Heard you all today and well.. Bach sounded okay. But okay isn't enough. Okay is not an SNSO standard. It is something that many other orchestras can reach as well. So, I would like to address some things (this is in the best interests of the entire orchestra k! :) so listennnn)
1. POSTURE.
Yes. It was only the BEGINNING of the practice and I could see MANY people slouching off. Sectional leaders and front desk-ers (I don't want to name who), you have a responsibility to show your juniors and section what GOOD POSTURE IS. And that means, NOT SLOUCHING and HUNCHING, no flopping into your seat like its a squishy, comfortable pillow and I KNOW IT GETS VERY TIRING. But AT LEAST, keep your back STRAIGHT (lean it AGAINST the chair if you need to). If your seniors can do it, SO CAN YOU! -make it work!- :)
2. INTONATION
Sectional Leaders: PLEASE GET YOUR SECTIONS TOGETHER TO CLEAR UP INTONATION. Bach is ALL about intonation and clarity. Having such a small orchestra play Bach, literally every single player can be heard. Some were sharper than the rest, others were flat, and some were okay. So it ends up being this cacophony of sounds - it has to sound like a LOVELY MELODIC TUNEEEE.
3. TOGETHERNESS.
Basically, it sounds pretty OKAY as a section (yes, OKAY again) but it does not sound TOGETHER! Yes, reverberating about the 'Intonation' part, once your section is done with the intonation, it is time to GET the section together. Remember how we practiced so much as a section for SYF? Assimilating, blending in and bonding with your section is very important for you all to play as ONE sound, ONE section, ONE orchestra.
4. SOFT TONES
I have said this many times before (hope I don't sound to bossy! :S but I reeeaally gotta say this), when the dynamic says 'p' or 'pp', it does NOT give you the excuse to play in wispy, airy fairy, light tones (unless stated otherwise - like a HARMONIC or something). There still can be character and punch in a 'p' or 'pp' phrase. DIG IN! But still stay soft at the same time (remember SHOSTA?? Our SUPER SOFT phrase??).
5. SECTION LEADERS
SNSO needs to see more passion, more hunger for good quality, good playing and producing a good section. Be overly concerned, approach your section members and ask if they need help. Be patient. It is only with competent section leaders that an orchestra and truly progress and improve. I have faith in you SLs!
___________________________
I'm only commenting about Bach because I only heard that piece. I have faith in you guys. I have absolute faith and I KNOW you all will be able to pull it off and play EXCELLENTLY in Jubilate. Though I can't be there in person to watch you all play 3 wonderful pieces (you all better do!), I will be cheering you all on from Australia ok!
I KNOW ALL OF YOU CAN DO IT. DON'T GIVE UP COS I'VE NEVER GIVEN UP ON YOU ALL :)
<3
Heard you all today and well.. Bach sounded okay. But okay isn't enough. Okay is not an SNSO standard. It is something that many other orchestras can reach as well. So, I would like to address some things (this is in the best interests of the entire orchestra k! :) so listennnn)
1. POSTURE.
Yes. It was only the BEGINNING of the practice and I could see MANY people slouching off. Sectional leaders and front desk-ers (I don't want to name who), you have a responsibility to show your juniors and section what GOOD POSTURE IS. And that means, NOT SLOUCHING and HUNCHING, no flopping into your seat like its a squishy, comfortable pillow and I KNOW IT GETS VERY TIRING. But AT LEAST, keep your back STRAIGHT (lean it AGAINST the chair if you need to). If your seniors can do it, SO CAN YOU! -make it work!- :)
2. INTONATION
Sectional Leaders: PLEASE GET YOUR SECTIONS TOGETHER TO CLEAR UP INTONATION. Bach is ALL about intonation and clarity. Having such a small orchestra play Bach, literally every single player can be heard. Some were sharper than the rest, others were flat, and some were okay. So it ends up being this cacophony of sounds - it has to sound like a LOVELY MELODIC TUNEEEE.
3. TOGETHERNESS.
Basically, it sounds pretty OKAY as a section (yes, OKAY again) but it does not sound TOGETHER! Yes, reverberating about the 'Intonation' part, once your section is done with the intonation, it is time to GET the section together. Remember how we practiced so much as a section for SYF? Assimilating, blending in and bonding with your section is very important for you all to play as ONE sound, ONE section, ONE orchestra.
4. SOFT TONES
I have said this many times before (hope I don't sound to bossy! :S but I reeeaally gotta say this), when the dynamic says 'p' or 'pp', it does NOT give you the excuse to play in wispy, airy fairy, light tones (unless stated otherwise - like a HARMONIC or something). There still can be character and punch in a 'p' or 'pp' phrase. DIG IN! But still stay soft at the same time (remember SHOSTA?? Our SUPER SOFT phrase??).
5. SECTION LEADERS
SNSO needs to see more passion, more hunger for good quality, good playing and producing a good section. Be overly concerned, approach your section members and ask if they need help. Be patient. It is only with competent section leaders that an orchestra and truly progress and improve. I have faith in you SLs!
___________________________
I'm only commenting about Bach because I only heard that piece. I have faith in you guys. I have absolute faith and I KNOW you all will be able to pull it off and play EXCELLENTLY in Jubilate. Though I can't be there in person to watch you all play 3 wonderful pieces (you all better do!), I will be cheering you all on from Australia ok!
I KNOW ALL OF YOU CAN DO IT. DON'T GIVE UP COS I'VE NEVER GIVEN UP ON YOU ALL :)
<3
Sunday, April 06, 2008
GO STRINGERS YOU ALL CAN DEFINITELY DO MUCH BETTER THAN WHAT YOU'RE DOING NOW ALRIGHT! WORK HARD, PLAY HARD, AND WE'LL ALL BE HAPPY STRINGERS ON BOTH NIGHTS OF JUBILATE, AND EVERYBODY WILL KNOW WHAT SNSTRING CAN TRULY DO! JIAYOU JIAYOU JIAYOU JIAYOU JIAYOU JIAYOU JIAYOU JIAYOU!
RED BADGES LET US KNOW IF YOU NEED ANY TICKETS FOR JUBILATE SO WE CAN TRY TO GIVE Y'ALL GOOD SEATS!
<3 from Dumbledore (but You-Know-Who is my very good friend, not arch enemy...)
RED BADGES LET US KNOW IF YOU NEED ANY TICKETS FOR JUBILATE SO WE CAN TRY TO GIVE Y'ALL GOOD SEATS!
<3 from Dumbledore (but You-Know-Who is my very good friend, not arch enemy...)
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